Overall, the 3D Marketplace has seen incredible growth, and due to a substantial amount of content being CGI-based, there is high demand for high-quality "Live Action" content captured by a camera – meaning opportunity for someone looking to reach new viewers or share a story in a new way. Since the functionality of the 2D VR viewing platforms is very similar to the traditional video experience, with the addition of a "scroll-able" interface – a current video shooter should find the experience of shooting VR content new and interesting in many ways,īut also somewhat similar as some of their previous video experience in other ways. This 180° VR viewing format can be experienced in two ways – 3D with use of a compatible VR headset, or in 2D through use of desktop, or mobile VR viewing platform. ![]() "The RF5.2mm F2.8 L Dual Fisheye lens is primarily designed for delivering Stereoscopic 3D 180° VR video content. "The complexities of virtual reality production and the ability to view the content in full capacity are greatly streamlined for seasoned professionals and newcomers to the craft." The Canon RF 5.2mm F2.8 L Dual Fisheye Lens is the world's first digital interchangeable dual fisheye lens capable of shooting stereoscopic 3D 180° VR imagery to a single image sensor. With a specified 190° angle of view - from both lenses, this lens can see behind itself. The Canon RF 5.2mm F2.8 L Dual Fisheye Lens is different, much different, from every other lens in your kit. With a compatible camera behind it, the Canon RF 5.2mm F2.8 L Dual Fisheye Lens enables that dream. What if you could create Stereoscopic 3D 180° VR video content that immerses the viewer into a scene with the high-end camera system you already understand? Upgrading Your Computer is like Buying Time – Save 10-15% on All Dell Outlet Home Laptops and Desktops. ![]()
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